Plaque(s)

Description of Historic Place

Occupying an entire block, the Confederation Centre of the Arts faces Queen’s Square in Charlottetown’s business district. Built in 1963-1964, the Centre is a large, multi-purpose cultural complex executed in the modern Brutalist style. Its four constituent pavilions are distinct yet form a coherent whole and contain a theatre, art gallery and public library clustered in a U-shape around the “Memorial Hall.” It sits adjacent to Province House, the legislature building for Prince Edward Island. The official recognition refers to the building on its legal lot.

Heritage Value

The Confederation Centre of the Arts was designated a national historic site of Canada in 2002 because: as one of a number of cultural complexes built in the 1960s and 1970s in Canada, and as a memorial to the Fathers of Confederation, it is an outstanding example of a national institution dedicated to the performing arts; when it was built in 1964, it was highly innovative in its stage design and acoustics, and featured state-of-the-art lighting and construction techniques; and it is a distinguished example of Brutalist architecture in Canada, which, for its era, is well integrated with the city.

The Confederation Centre of the Arts was built with the intent to inspire Canadians, through heritage and the arts, to celebrate the origins and development of Canada as a nation. The centre was constructed between 1963 and 1965 in the modern Brutalist style to the designs of architect Dimitri Dimakopoulos, theatre designer George Izenour, and sculptor Gérard Tremblay. David L. Klepper and Russell Johnson de Bolt of Berenak and Newman Inc. were the acoustic consultants, while William M. C. Lam designed the lighting.

Source: Historic Sites and Monuments Board of Canada, Minutes, December 2002.

Character-Defining Elements

The key elements that contribute to the heritage character of this site include:
the prominent location adjacent to Province House in the downtown core; the setting facing a square within the business district; the reinforced concrete frame and the exterior faced with solid, continuous walls of smooth-faced sandstone; the low geometric massing of the whole, and the one-storey central Memorial block with a glass roof consisting of a series of skylights, each a pyramidal diamond shape; the three surrounding pavilions arranged in a U-shaped cluster, each with a distinct geometric profile, the visually separate, yet functionally interconnected units of three and four storeys that comprise the whole; the interconnecting levels including a basement, a mezzanine, and balconies; interior pedestrian concourse and exterior plazas, terrasses and steps; the terrace with its sympathetic landscape design, flags and sculptures; the limited number and size, and strategic placement of the windows which provide indirect light; the original interiors and finishes; the functional design of the interior, including the theatre space with its adjustable spatial configuration and adjustable first six rows of seats and the orchestra pit that raise and lower; the theatre interior’s cloud-shaped ‘baldacchino’ sculptures; the two-level pedestrian circulation, and interior concourse.